Widows (2018) - Rotten Tomatoes

Widows2018

Widows (2018)

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AUDIENCE SCORE

Critic Consensus: Widows rounds up a stellar ensemble for a heist thriller that mixes popcorn entertainment with a message - and marks another artistic leap for director Steve McQueen.

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Movie Info

From Academy Award (R)-winning director Steve McQueen ("12 Years a Slave") and co-writer and bestselling author Gillian Flynn ("Gone Girl") comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. "Widows" is the story of four women with nothing in common except a debt left behind by their dead husbands' criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar (R) winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. "Widows" also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry.

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Cast

Viola Davis
as Veronica
Colin Farrell
as Jack Mulligan
Robert Duvall
as Tom Mulligan
Liam Neeson
as Harry Rawlins
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News & Interviews for Widows

Critic Reviews for Widows

All Critics (376) | Top Critics (49)

A thriller for modern women who identify more with the messiness of human lives than with flattened slogans about how great women, as a monolithic group, are.

March 8, 2019 | Full Review…

A great ensemble cast, Steve McQueen lets loose on some of the formalism we've seen in some of his other films and, it moves really well.

March 4, 2019 | Full Review…

It's the dashing camerawork and broad historical awareness of Widows that makes it a truly sophisticated action film, and by far the best crime movie of 2018 so far.

November 30, 2018 | Full Review…

It offers everything adults used to love about cinema.

November 28, 2018 | Full Review…

That essential jolt of satisfaction is missing.

November 26, 2018 | Rating: 2.5/5 | Full Review…

The movie tosses back at viewers a variety of casual exasperations-inchoate, flip, and manipulable-that flatten and simplify the very ills and grievances that it dramatizes.

November 19, 2018 | Full Review…

Audience Reviews for Widows

Led by a near-elite cast, Widows evokes a thrilling and brash drama. Steve McQueen's distinctive direction and Gillian's Flynn's twist-filled narrative create for a film that interestingly reverses the roles and executes in grand fashion. 4.05/5

Eugene Bernabe
Eugene Bernabe

Super Reviewer

½

Widows has an all-star cast, an Oscar-nominated director, and a best-selling novelist-turned screenwriter, so my expectations might have been turned up a bit too high. It follows a team of titular widows (Viola Davis, Michelle Rodriguez, Elizabeth Dibecki) picking up the pieces in the wake of their husbandsâ(TM) deaths. It seems their dearly departed spouses stole money from a local criminal who very much demands the sum returned. The women must enter into a criminal heist, using notes left behind by a dead hubby, to settle the debt and spare their lives. Widows is a higher caliber crime movie with notable texture given to a wide assortment of characters; even the villains are given small character touches to better flesh them out and feel more realized. Thereâ(TM)s a concurrent election tying together different corrupt and criminal enterprises that widens the scope of the film into a grander scale. The characters and performances are the selling point of the movie and provide consistent entertainment. Davis (Fences) is the strong-willed linchpin of the group and I could watch her boss around people for hours. Dibecki (The Great Gatsby) has a nice turn as a trophy wife accustomed to being abused. The problem is that there might be too many characters. Rodriguez has far more significance in the first thirty minutes and then is put on ice. Likewise, Cynthia Erivo are hastily added when the plot requires something of them. That plot, adapted by Gillian Flynn (Gone Girl) and director Steve McQueen (12 Years a Slave), proves to be the filmâ(TM)s biggest hindrance by the end. The second half plot turns seem to come from a more genre-y version of this story, not the classier version we had been treated to beforehand. There are character decisions that baffle credulity and personal safety. The quality of the characters deserved a movie that could refrain from the hacky genre twists. McQueenâ(TM)s precise camerawork is still alive and well and highlights tension and also moments of social commentary, like when we watch a car travel mere blocks from a rundown inner city neighborhood to a fancy gated residence. Thereâ(TM)s a lot to like with Widows, and plenty to get excited about, but I wanted to like even more. Nateâ(TM)s Grade: B

Nate Zoebl
Nate Zoebl

Super Reviewer

While making it always clear that this is in essence a heist film, Steve McQueen finds space for an intelligent commentary on race, gender and social class here as well, creating a taut combination of entertaining thriller and serious drama that benefits from great performances.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

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