We Own the Night2007
We Own the Night (2007)
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as Bobby Green
as Joseph Grusinsky
as Amanda Juarez
as Burt Grusinsky
as Michael Solo
as Marat Buzhayev
as Pavel Lubyarsky
as Vadim Nezhinski
as Jack Shapiro
as Jumbo Falsetti
as Russell De Keifer
as Sandra Grusinsky
as Kalina Buzhayev
as Capt. Spiro Giavannis
as Eli Mirichenko
as Bloodied Patron
as Eli & Masha's Daughter
as Eli & Masha's Son
as Nat the Cop
as Portly Cop
as Sergeant Provenzano
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Critic Reviews for We Own the Night
An intriguing blend of mainstream audience-pleaser and a more subtle, even intellectual agenda.
It's not surprising, but it's engaging enough that most patrons will likely cut the director some slack for the out-of-period details and convoluted plot contrivances that make the film seem at once sloppy and too neat.
The drama gains momentum in the second half, so the film gets better, but it's never too far from cliche.
[Gray's] feel for dialogue has rarely failed him, and it doesn't here.
A sombre, intelligent, feeling crime drama set in a working-class New York characterised by striving and shabbiness.
The stand-out set piece is an agonising car chase in the rain, replacing the full-throttle showmanship of the Bourne series with a foot on the brake, a shotgun pointing out of the adjacent car, and a series of tight close-ups on the terrified Phoenix.
Audience Reviews for We Own the Night
We Own The Night" isn't what I thought it would be at first - another undercover cop movie. It's a pretty unique crime/drama with emphasis on the drama that depicts the aftermath of a police operation gone wrong. Joaquin Phoenix and Mark Wahlberg play two brothers whose lives have taken different turns, but who are brought back together when the Russian Mafia threatens to destroy their family. Writer/director James Gray's movie is a tense and gripping affair. The characters are shaped well and embodied perfectly by the actors (although Mark Wahlberg is really just playing the quiet, aggressive guy that he's always playing once more). There's a pretty exciting car chase in there and a bugging operation that will make you cringe with fear for the main character. That said, the movie isn't without its flaws. The first half drags on a bit, then it all goes too fast. Joaquin Phoenix' character becomes a policeman literally overnight and suddenly there's a concluding showdown, which comes out of nowhere and ends with a pretty unspectacular shootout. On top of that, most of the movie plays like a sequence of short episodes rather than one continuous story. Phoenix' character is too much in the focus of the story and the characters played by Eva Mendes and Mark Wahlberg just kind of enter and leave the plot without having too much of an impact on anything. Make no mistake, though, this is one of the best gangster movies of 2007 (just after "Eastern Promises" and way ahead of "American Gangster"), although it is much closer in atmosphere to David Fincher's character-driven "Zodiac". And Joaquin Phoenix is so good, he was robbed of an Academy Awards nomination. 10-25-13 5 stars
Pretty good drama, We Own The Night is supported by a good cast and has a very good story. However I was bit let down. The acting was great, the performance by the three lead actors were just wonderful. However I felt that towards the end of the film, director James Gray rushed to try and conclude his film. The film started swell, and despite the fact that lacks a bit near the end, it's still a film worth watching. I very much enjoyed the plot of this film, and it had the right amount of drama, and sometimes action. I just feel that more effort could have been put into the ending. Other than that, this is a good film with a good plot, and great performances. This is a film worth watching and the cast make this film worth seeing. Although it's flawed near the end, the film has a very good first half. There's plenty to enjoy here, and the film succeeds at being a compelling drama about a family separated by law and crime. What really stood out in this film was Joaquin Phoenix's performance as Bobby Green a night club manager whose father and brother are cops. The thing that stood was how he ultimately made the choice of going to honest route once his life was threatened. The chemistry between Robert Duvall, Mark Wahlberg and Joaquin Phoenix is the standout of this film, and more than makes up for the rushed ending. This is a very good film, but one that also could have been much better.
Strangely polarizing film, among my friends, but I really liked this one. The acting is very good, and the story is searing, straight-forward good-brother/bad-brother stuff. Robert Duvall's turn as the brothers' father was excellent, and, (as he proves every year, now, it seems), Mark Wahlberg was born to play cops. The film wobbles as it approaches the end: some scenes are flabby, or unnecessary, or just too slow, and the climactic final shootout is a little bizarre. And yet, the whole thing was quite artful, walking the line between popcorn and noir. Stylistically wonderful, and generally a tense film, it sucks you in and your attention is rewarded. Gripping, entertaining film.
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