The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Often confounding, nearly impenetrable, and almost impossible to describe. It's something you need to see in order to get. At the same time though, is it worth seeing? That's truly something up for debate.
The truth is that there is no message. This is just throwing in the kitchen sink of outrageous things, half-themes, and cinematic styles and hoping that the viewer will make something up to draw it together.
Some will be impressed by the weightiness of Denis's jag into zero gravity, but for me, High Life was a frustrating experience, a collection of half-developed ideas being sucked into an unfocused void.
Too often the ideas here, visual and otherwise, feel haphazard - outer and inner space, Pattinson's head, sexual taboo, apocalypse now or maybe then - more like material for a vision board than a fully realized vision.
It's clear that Denis had, at least vaguely, wanted to examine the erosion of humanity in claustrophobic conditions, but she ham-fists out that tune monophonically-death, rape, violence, paternalistic love.