Critic Consensus: Blockers puts a gender-swapped spin on the teen sex comedy -- one elevated by strong performances, a smartly funny script, and a surprisingly enlightened perspective.
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Critic Reviews for Blockers
But it's really the parents who take center stage in [Blockers] this raunchy and fitfully quite funny directorial debut Kay Cannon, which plumbs plenty of warm hugs from the idea of parental angst about their kids leaving the nest.
Mining uptightness for all its comic potential, Blockers comes down, proudly, on the side of the unblocked.
On a positive note, this will probably best be remembered for giving the lusty trio of female offspring the ultimate power of post-formal hotel room-veto.
Cannon is dialed into how a teen girl prepping for what's, till then, the most memorable night of her life is no passive victim - she's a peak control freak
A generational clash as old as time-the parents who think of themselves as progressive and cool, versus their mortified children who view them as anything but.
Audience Reviews for Blockers
Agonizingly painful jokes, cringe-worthy gags but a surprising amount of sentiment and heart to admire; Blockers is a fair effort comedy with unnecessary and outlandish shticks tries too much to be for the teens and the adults simultaneously, making it uncomfortable at times. 2.8/5
This film is good for some laughs, but it's ultimately just three C- to C+ comedic actors coming together with some okay young actresses to create a film that is exactly the sum of its parts. Even this film's biggest fans likely only enjoyed it to a certain degree. Mann, Cena and Barinholtz all have a certain chemistry, but overall this movie is very high floor, low ceiling, and forgettable in the end.
Blockers (nee Cock Blockers, and changed on some posters to appear like Rooster-Shape Blockers) is like getting two fairly funny sex comedies in one. We have the perspective of the panicked parents (Leslie Mann, John Cena, Ike Barinholtz) who are doing whatever they can to thwart their daughters from seeing through their presumed deflowering pact on prom night. We also have the horny teen perspective from the teen girls (Kaitlyn Newton, Geraldine Viswanathan, Gideon Adlon). Each group has their own character arcs and comic set pieces, flunkies and wild supporting characters, and as they criss-cross over the course of one debauched night, lessons will be learned and, more importantly, feel earned. I was steadily impressed with how much Blockers does and does well, chiefly maintaining a sex positive attitude and never supporting the parents in their hysterical, generally sexist alarm. Each parent has to confront their feelings about really letting their daughter grow up, and that relationship leads to a sweet moment for each to acknowledge the error of their ways and grow closer with their child. If this had come out in the 80s or 90s, I'm sure the film would have adopted the parental viewpoint as correct. Hell, if it came out in the 80s, the fact that one of the daughters is gay would have been a source of shock or shame. Today, the father already knows and supports his daughter being a lesbian (he frets she'll feel pressured to lose her virginity to the wrong sex). Oh, on top of all that, the movie is pretty funny from start to finish thanks to a deep cast of characters. Cena impressed with 2015's Trainwreck and he shows yet again the promise of his heretofore-untapped comic resources. There is one comic set piece involving blind couple foreplay that feels downright inspired as it develops. Blockers is a raunchy sex comedy with more on its mind than yuks. It's got a sweet center that allows the characters and their relationships to feel genuine. When you care about the people onscreen, it helps eliminate the sense of downtime. Nate's Grade: B
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