Neil Young Movie Reviews & Previews - Rotten Tomatoes

Neil Young

Neil Young
Neil Young's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Hollywood Reporter, indieWire, Sight and Sound

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Universe (2019) Slightly austere in style, Universe stands as an admiring, intimate portrait - a touching elegy etched in a valedictory frame.‐ Hollywood Reporter
Read More | Posted Jun 18, 2020
90% Without (2011) Part psychological thriller and part minimalist art movie, there's no mistaking the confident skill with which debuting American filmmaker Mark Jackson takes us deep into the troubled world of his female protagonist.‐ Hollywood Reporter
Read More | Posted May 27, 2020
No Score Yet Red Moon Tide (Lúa vermella) (2020) A fragile vessel freighted with foreboding and dread, one that risks the reefs of ponderousness at numerous junctures but steers into the tranquil waters of the romantic sublime.‐ Hollywood Reporter
Read More | Posted Mar 2, 2020
100% Servants (Sluzobníci) (2020) Ostrochovsky delivers a series of striking visual images, often from unusual overhead angles. Starting with the very first shot... his bold, confident strokes accumulate into a sharp portrait of restrained, stylish and brooding power.‐ Hollywood Reporter
Read More | Posted Mar 2, 2020
100% The Cloud in Her Room (2020) Evanescent and enervating.‐ Hollywood Reporter
Read More | Posted Feb 10, 2020
No Score Yet Piedra sola (2020) A transcendent but frustrating cinematic experience.‐ Hollywood Reporter
Read More | Posted Jan 28, 2020
100% Young Hunter (El cazador) (2020) A slow-burningly sensitive character study, which spices up familiar art-cinema techniques with genre inflections...‐ Hollywood Reporter
Read More | Posted Jan 28, 2020
100% Beasts Clawing at Straws (2020) Beasts Clawing At Straws demands attention and patience, but thus happily ends up amply rewarding both.‐ Hollywood Reporter
Read More | Posted Jan 27, 2020
No Score Yet Nasir (2019) Quiet gem reveals a deceptively sharp edge.‐ Hollywood Reporter
Read More | Posted Jan 27, 2020
No Score Yet The Year of the Discovery (El año del descubrimiento) (2020) Epic quasi-documentary blurs categories and chronologies to immersive effect.‐ Hollywood Reporter
Read More | Posted Jan 27, 2020
No Score Yet Air Conditioner (Ar condicionado) (2020) A highly accomplished and promising first full-length fictional outing...‐ Hollywood Reporter
Read More | Posted Jan 27, 2020
No Score Yet Aswang (2019) Aswang paints a grim but compassionate, compelling picture of present-day life on Manila's exceedingly mean streets.‐ Hollywood Reporter
Read More | Posted Dec 7, 2019
No Score Yet In a Whisper (A media voz) (2019) Part cinema, part joint act of interpersonal healing.‐ Hollywood Reporter
Read More | Posted Dec 5, 2019
No Score Yet La Mami (2019) An intimate, often amusing, invariably informative delve into a semi-hidden world - one which very few males ever even glimpse.‐ Hollywood Reporter
Read More | Posted Dec 4, 2019
No Score Yet I Love You I Miss You I Hope I See You Before I Die (2019) Rodbro and her collaborators plunge us into an impressionistic maelstrom of sounds and images, with an arrestingly rough-edged sense of chaotic lives captured on the fly.‐ Hollywood Reporter
Read More | Posted Dec 4, 2019
67% Some Beasts (Algunas Bestias) (2019) Metaphorical Some Beasts doubtlessly is ⁠- the upper classes go to pieces when the lower orders are absent ⁠- but organic, dramatically coherent and convincing it unfortunately is not.‐ Hollywood Reporter
Read More | Posted Oct 7, 2019
No Score Yet Beyond the Horizon (Le milieu de l'horizon) (2019) Novelistic drama brings the fairly recent past to simmering life.‐ Hollywood Reporter
Read More | Posted Oct 4, 2019
92% A Thief's Daughter (La hija de un ladrón) (2019) A naturalistic and empathetic evocation of life at the lower end of the social ladder, one which wears its near-inevitable Loach/Dardenne aspects with appealing freshness.‐ Hollywood Reporter
Read More | Posted Oct 3, 2019
No Score Yet Africa (2019) A touchingly well-observed study of long-time marrieds starring the filmmaker's own parents as lightly fictionalized versions of themselves.‐ Hollywood Reporter
Read More | Posted Oct 2, 2019
88% Days of the Bagnold Summer (2019) Deploys some talented performers on both sides of the camera but its promising parts never quite cohere into a properly satisfying whole.‐ Hollywood Reporter
Read More | Posted Aug 29, 2019
92% Adoration (2019) A stylistically impressive picaresque which moves along at an engaging clip until prematurely running out of steam.‐ Hollywood Reporter
Read More | Posted Aug 26, 2019
100% Isadora's Children (Les Enfants d'Isadora) (2019) An unassuming and delicate work which demands but ultimately repays close attention.‐ Hollywood Reporter
Read More | Posted Aug 23, 2019
No Score Yet Overseas (2019) The most sympathetic, illuminating study of domestic labor since Roma...‐ Hollywood Reporter
Read More | Posted Aug 22, 2019
93% To the Ends of the Earth (Tabi no Owari Sekai no Hajimari) (2019) It really does feel like Maeda/Yoko is stumbling haphazardly from one real setting to another, in a film expertly cast down the to the tiniest of roles.‐ Hollywood Reporter
Read More | Posted Aug 22, 2019
98% Vitalina Varela (2020) Even if audiences find themselves adrift in the convolutions of the screenplay's non-linear narrative, there are near-incessant compensations in the form of Leonardo Simoes' cinematography.‐ Hollywood Reporter
Read More | Posted Aug 15, 2019
No Score Yet Quicksilver Chronicles (2019) A winning portrait of two aging siblings' defiant, anachronistic eccentricity and the ghostly former company town where they reside.‐ Hollywood Reporter
Read More | Posted Apr 29, 2019
No Score Yet Waiting for the Carnival (2019) The film is a first-person travelogue in which the director - with disarming openness and evident fondness for his hard-working but underpaid subjects - retraces the steps of his youth.‐ Hollywood Reporter
Read More | Posted Feb 19, 2019
88% Earth (Erde) (2019) Quietly urgent dispatches from a planet under siege.‐ Hollywood Reporter
Read More | Posted Feb 19, 2019
85% I Was at Home, But... (Ich war zuhause, aber...) (2020) A complex, challenging but brilliant work.‐ Hollywood Reporter
Read More | Posted Feb 13, 2019
80% Who You Think I Am (Celle que vous croyez) (2020) Catfish a la Francaise: Conventional-looking dish yields surprisingly sharp flavors.‐ Hollywood Reporter
Read More | Posted Feb 12, 2019
77% God Exists, Her Name Is Petrunija (2019) Religious-themed satire is unlikely to gain many converts.‐ Hollywood Reporter
Read More | Posted Feb 11, 2019
89% Tremors (Temblores) (2019) Places strong visuals, performances and atmosphere at the service of a naggingly patchy screenplay.‐ Hollywood Reporter
Read More | Posted Feb 8, 2019
No Score Yet While We Are Here (Enquanto estamos aqui) (2019) An entrancing, original miniature.‐ Hollywood Reporter
Read More | Posted Feb 8, 2019
98% Fourteen (2020) Sensitive study of emotional turmoil, close-up and from a distance.‐ Hollywood Reporter
Read More | Posted Feb 8, 2019
100% Present.Perfect. (2019) Shengze makes no attempt to organize her material into any kind of story framework. Instead she offers myriad glimpses into dozens of ordinary lives across the world's most populous nation. It's a rich pageant of the quotidian.‐ Hollywood Reporter
Read More | Posted Feb 7, 2019
No Score Yet Chèche Lavi (Looking for Life) (2019) Ellison manages to find beauty in the quotidian - such as the pink glow of storefront neon illuminating a casual chat.‐ Hollywood Reporter
Read More | Posted Feb 6, 2019
98% Beats (2020) [A]n infectiously enjoyable slice of knockabout nostalgia that wears its Trainspotting heritage proudly on its rough-edged tartan sleeve.‐ Hollywood Reporter
Read More | Posted Feb 5, 2019
67% Sons of Denmark (Danmarks sønner) (2019) [A]n ambitious, provocative, politically charged thriller from Danish feature-debutant Ulaa Salim.‐ Hollywood Reporter
Read More | Posted Feb 1, 2019
100% Take Me Somewhere Nice (2019) Offbeat journey to a quietly pleasing destination.‐ Hollywood Reporter
Read More | Posted Jan 28, 2019
No Score Yet Absence of Me (Ausencia de mi) (2018) [A] somberly affecting and informative chronicle of creativity and defiance...‐ Hollywood Reporter
Read More | Posted Dec 7, 2018
No Score Yet The Border Fence (Die bauliche Maßnahme) (2018) A sensitive examination of the tricky frontiers between rhetoric and reality.‐ Hollywood Reporter
Read More | Posted Dec 7, 2018
96% Buddy (2019) A tender tribute to tail-wagging treasures.‐ Hollywood Reporter
Read More | Posted Dec 6, 2018
100% Los Reyes (2019) Low on incidents but high on atmosphere and unassuming charm.‐ Hollywood Reporter
Read More | Posted Dec 5, 2018
100% Don't Be a Dick About It (2020) An affable, intimate and unassuming little picture...‐ Hollywood Reporter
Read More | Posted Dec 5, 2018
No Score Yet Reason (2018) As Pauline Kael remarked about the recently deceased Bernardo Bertolucci's 1900, Reason (Vivek) makes most other current documentaries "look like something you hold up on the end of a toothpick."‐ Hollywood Reporter
Read More | Posted Dec 5, 2018
No Score Yet Hamada (2018) There have been dozens of refugee-camp documentaries down the decades, but never anything quite like Eloy Dominguez Seren's disarmingly breezy Hamada.‐ Hollywood Reporter
Read More | Posted Dec 4, 2018
No Score Yet The Most Beautiful Country in the World (Das schönste Land der Welt) (2018) A refreshingly low-key addition to the burgeoning ranks of migrants-in-Europe movies.‐ Hollywood Reporter
Read More | Posted Nov 21, 2018
89% The Third Wife (2019) An audience-friendly affair which deals with harrowing subject-matter in restrained, tactful and aesthetically entrancing style...‐ Hollywood Reporter
Read More | Posted Oct 5, 2018
100% A Family Submerged (Familia sumergida) (2018) A Family Submerged isn't only a showcase for Moran; indeed, the biggest impact is arguably made by a woman who never appears in the picture, cinematographer Helene Louvart.‐ Hollywood Reporter
Read More | Posted Oct 4, 2018
63% Jesus (Boku wa Iesusama ga Kirai) (2018) Even at 76 minutes Okuyama's debut feels like a padded-out short...‐ Hollywood Reporter
Read More | Posted Oct 3, 2018