David 'Mad Dog' Bradley Movie Reviews & Previews - Rotten Tomatoes

David 'Mad Dog' Bradley

David 'Mad Dog' Bradley
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Rating T-Meter Title | Year Review
7/10 59% Mrs. Lowry & Son (2019) Martyn Hesford adapts his play for the screen with this very stagey and often uneasy two-hander, notable for fine work from Vanessa Redgrave and Timothy Spall...‐ Adelaide Review
Read More | Posted Dec 2, 2019
7/10 96% Knives Out (2019) Rian Johnson's blackly comedic murder mystery offers a genuinely star cast, plenty of pleasing malice and twisting plot...‐ Adelaide Review
Read More | Posted Dec 2, 2019
7/10 No Score Yet Happy Sad Man (2018) Genevieve Bailey's understandably quiet documentary aims to start a conversation about men and mental illness...‐ Adelaide Review
Read More | Posted Dec 2, 2019
7/10 78% Frozen II (2019) Frozen II has some charming moments and the returning vocal cast are in pleasing form, but there's something unwise in separating the characters so much.‐ Adelaide Review
Read More | Posted Dec 2, 2019
100% Suzi Q (2019) Don't underestimate senior Suzi, because she still brings the house down at concerts around the world, and while time might have taken the edge off that trademark scream, it can still shake your very soul.‐ Adelaide Review
Read More | Posted Nov 22, 2019
6/10 92% Ford v Ferrari (2019) ...awfully hung up on the often-sweaty guys and the much-fetishised cars - but, well, of course it is, and what did you expect? And at 152 minutes it's way too damn long, meaning that by the end it won't just be the vehicles that need a grease...‐ Adelaide Review
Read More | Posted Nov 22, 2019
88% Emu Runner (2018) [Rhae-Kye] Waites holds the film together and brings a lot of unpolished honesty to the role of nine year old Gem, and makes up for some of the more stilted supporting players.‐ Adelaide Review
Read More | Posted Nov 15, 2019
77% Doctor Sleep (2019) Is likely to underwhelm ardent fans of the Kubrick film (which King famously loathes) and baffle anyone who somehow hasn't seen it.‐ Adelaide Review
Read More | Posted Nov 15, 2019
5/10 52% Charlie's Angels (2019) If all that seems confused, convoluted and wearying then that's because it is...‐ Adelaide Review
Read More | Posted Nov 15, 2019
7/10 97% Pain and Glory (Dolor y gloria) (2019) There's plenty going on here and much of it is tantalisingly murky and unsaid, and yet this is still an affectingly human drama featuring gorgeously restrained playing from Antonio, Penélope [and] Nora Navas...‐ Adelaide Review
Read More | Posted Nov 7, 2019
6/10 47% Last Christmas (2019) Yes, it's all a bit daft, and while many might perhaps scream, "Humbug!", there's still much here to enjoy, and even a few dark edges, such as a glimmer of Brexit xenophobia.‐ Adelaide Review
Read More | Posted Nov 7, 2019
No Score Yet Promised (2019) There is a migrant story here perhaps worth telling, as well as a study of changing socio-cultural mores and the rise of feminism, but it's all so drably done that even the staunchest Aussie cinema groupie might struggle to care...‐ Adelaide Review
Read More | Posted Nov 4, 2019
89% Blinded by the Light (2019) Director Gurinder Chadha's Blinded By The Light has some dubious, obviously contrived moments, but its performances and gloriously Springsteen-centric soundtrack more than make up for it.‐ Adelaide Review
Read More | Posted Nov 4, 2019
6/10 71% Terminator: Dark Fate (2019) Cameron's participation is notable, especially in the decision to stage as many stunts and action setpieces as possible FX-free and with real vehicles, real people and real budget-blowing destruction...‐ Adelaide Review
Read More | Posted Nov 4, 2019
5/10 26% Gemini Man (2019) ... the ever-amiable Will made to seem dull and irritating. Quite a feat, really.‐ Adelaide Review
Read More | Posted Oct 18, 2019
5/10 40% Maleficent: Mistress of Evil (2019) ...ultimately it's too dragged-out and uninspired, even by Hollywood's already sloppy sequel standards, and the potentially fabulous combination of Pfeiffer, Jolie and Fanning falls oddly flat too.‐ Adelaide Review
Read More | Posted Oct 18, 2019
5/10 88% Hustlers (2019) It never fails to look tawdry, perhaps even slimy, although the script tries to conceal this with some feeble psychoanalysis of its protagonists and the suggestion that what we're watching is some kind of feminist drama - unconvincingly. ‐ Adelaide Review
Read More | Posted Oct 11, 2019
7/10 97% Working Woman (2019) Noy is strong here as Benny, a man used to getting what he wants, but Ben-Shlush is even better as Orna, who is initially embarrassed, then stunned, then numbed and afraid, and finally defiant.‐ Adelaide Review
Read More | Posted Oct 10, 2019
96% Birds of Passage (Pájaros de verano) (2019) What must have been a very difficult production has resulted in something quite unforgettable.‐ Adelaide Review
Read More | Posted Oct 4, 2019
6/10 69% Joker (2019) ... no matter how much Phillips, Phoenix and the DC/Warner Brothers corporate brains trust want it to be some profound examination of masculine malaise, this too is just a comic book movie.‐ Adelaide Review
Read More | Posted Oct 4, 2019
65% Ride Like a Girl (2019) ...this is just a clumsy, made-for-TV-type outing graced by a few pretty good performances and the barest minimum of real emotion.‐ Adelaide Review
Read More | Posted Sep 30, 2019
78% Scary Stories to Tell in the Dark (2019) Is it, you know, scary, as the title foolishly promises? Well... no. Unless you're a tween who's never seen a horror movie before and, come on, who ever heard of such a thing?‐ Adelaide Review
Read More | Posted Sep 30, 2019
6/10 24% The Goldfinch (2019) ...yet there's much here to enjoy, from Fegley, Kidman, Wilson and Wolfhard's performances, to the staging of the terrorist act that sets the story in motion, to the impressive depiction of the completely arbitrary nature of this life.‐ Adelaide Review
Read More | Posted Sep 30, 2019
84% Ad Astra (2019) You'll be desperate for just a jot of Brad's trademark cocky humour, but no: it's all tormented agonising, dark musings and more soulful staring than every Star Trek series combined.‐ Adelaide Review
Read More | Posted Sep 20, 2019
82% Memory: The Origins of Alien (2019) Writer/director Alexandre O. Philippe's latest documentary studies Ridley Scott's over-studied Alien and still comes up with a surprising and fascinating series of new and unfamiliar (alien?) angles.‐ Adelaide Review
Read More | Posted Sep 19, 2019
6/10 80% Good Boys (2019) It's a foul-mouthed, at times pleasingly rude small-scale epic that loses something, perhaps, as its protagonists stretch credibility.‐ Adelaide Review
Read More | Posted Sep 19, 2019
84% Downton Abbey (2019) It's a comedic/dramatic charmer with nice playing, snappy dialogue and noble intentions amid standard clunkiness, too many subplots and much extreme Englishness... untouchable delight for fans...‐ Adelaide Review
Read More | Posted Sep 13, 2019
86% Animals (2019) ...the film is a very watchable study of two women as they begin to realise the second F in BFF is an impossible promise.‐ Adelaide Review
Read More | Posted Sep 13, 2019
68% Angel of Mine (2019) Despite the flaws and some dull detail, this is worth persevering with due to Noomi's disturbing characterisation...you can't look away, no matter how hard you try.‐ Adelaide Review
Read More | Posted Sep 12, 2019
7/10 62% It Chapter Two (2019) Yes, it is too long, but it's a fitting end to this filming of what was one of Stephen King's longest books, which is really saying something.‐ Adelaide Review
Read More | Posted Sep 6, 2019
22% The Kitchen (2019) The desperate need to 'do a Scorsese' hangs heavily over the whole production, but no one seems to realise that not even Scorsese can 'do a Scorsese' these days.‐ Adelaide Review
Read More | Posted Sep 3, 2019
84% Dogman (2019) [Matteo] Garrone returns to the grim, violent mood of his Gomorrah here, although the perspective is more intimate and personal than that film, and we're left much less sure about where our loyalties should lie.‐ Adelaide Review
Read More | Posted Aug 30, 2019
75% Dragged Across Concrete (2019) Everything goes on way, way too long and so many of the characters are horrible.‐ Adelaide Review
Read More | Posted Aug 30, 2019
99% Amazing Grace (2019) This documentary stirs the soul regardless of which church you might or might not belong to.‐ Adelaide Review
Read More | Posted Aug 30, 2019
86% The Nightingale (2019) A movie guaranteed to make few friends and certainly too long, [Jennifer] Kent's disturbing epic is worth persevering with for audiences who can handle... the bloodily impactful violence.‐ Adelaide Review
Read More | Posted Aug 30, 2019
5/10 39% Angel Has Fallen (2019) The third film in the Fallen series again features Gerard Butler and lots of violent action, but whereas the previous pics were straight-faced nonsense, this is just nonsense nonsense.‐ Adelaide Review
Read More | Posted Aug 26, 2019
67% Danger Close (2019) ...despite the problems, it's hard not to be moved as the credits show the actors alongside snapshots of the men they played. It reminds us: these were real people.‐ Adelaide Review
Read More | Posted Aug 16, 2019
8/10 85% Once Upon a Time In Hollywood (2019) Tarantino shows just about the amount of restraint - and indulgence - we have come to expect from the director. Far out.‐ Adelaide Review
Read More | Posted Aug 16, 2019
50% Palm Beach (2019) Palm Beach's accomplished direction by Rachel Ward and clever writing by Ward and Joanna Murray-Smith leave the viewer pondering the nature of perfection‐ Adelaide Review
Read More | Posted Aug 9, 2019
6/10 80% Late Night (2019) In the end, Kaling and Thompson's double act delivers enough to stay up for - if you can resist the itch to change channels along the way.‐ Adelaide Review
Read More | Posted Aug 9, 2019
5/10 67% Fast & Furious Presents: Hobbs & Shaw (2019) This gets a few laughs from the comic charms of Dwayne Johnson and Jason Statham but still leaves you feeling concussed‐ Adelaide Review
Read More | Posted Aug 2, 2019
66% The Public (2019) Emilio Estevez's latest outing is a nobly-intentioned character piece that overstretches a little but just works, mostly due to a fine supporting full of his besties.‐ Adelaide Review
Read More | Posted Aug 2, 2019
100% Apocalypse Now: Final Cut (2019) The horror...the horror. Brilliant.‐ Adelaide Review
Read More | Posted Jul 26, 2019
91% The Keeper (Trautmann) (2018) Yes, it is more than just a mere 'Sport Movie' (one of my more detested genres), and proves an altogether winning experience.‐ Adelaide Review
Read More | Posted Jul 26, 2019
83% Crawl (2019) [T]his is at times soggily familiar, but Kaya [Scodelario] and Barry [Pepper] have much chutzpah and make it work. And there's plenty of bite.‐ Adelaide Review
Read More | Posted Jul 12, 2019
7/10 97% Booksmart (2019) [Booksmart is] a slightly derivative teen friendship drama that still proves mostly enjoyable thanks to memorable performances and a layer of sweet, wistful charm.‐ Adelaide Review
Read More | Posted Jul 11, 2019
100% Mystify: Michael Hutchence (2019) Richard Lowenstein's beautifully sad documentary study of the all-too-short life of his late friend Michael Hutchence is a most moving memorial, and rather more about the man than the music.‐ Adelaide Review
Read More | Posted Jul 8, 2019
90% Spider-Man: Far From Home (2019) We keep being distracted by the winning antics of the kids and their panicky teachers as they proceed to Prague and beyond, and a couple of tricks kick in that might leave purists unhappy with such diversions from the original comics.‐ Adelaide Review
Read More | Posted Jul 8, 2019
8/10 99% Parasite (Gisaengchung) (2019) Just when you think you have a handle on Joon-ho's film, however, and you mistakenly assume you know why this is called Parasite, it takes a turn though, and becomes an even richer and more profound study.‐ Adelaide Review
Read More | Posted Jun 28, 2019
7/10 63% Yesterday (2019) Patel, in his first starring role, is strong as the conflicted Jack (and he can sing too).‐ Adelaide Review
Read More | Posted Jun 28, 2019